What a fantastic Christmas present and the perfect way to start off the new year! A glowing review of Australia's Few and the Battle of Britain by Aero Australia (Issue 45, January-March 2015).
Can't read the squidgy writing in the photo? Never fear. I have lovingly retyped it.
The subject
of Australians in the Battle of Britain has always provoked discussion as to
home many were involved. The number has often varied, depending on the
definition of ‘Australian’ in 1940. Even aircrew born here were defined as ‘British’
in those days and the issue is further complicated by many having British
parents, or being born in Britain and then coming to Australia.
Kristen
Alexander attempts to define ‘Australian’ in the context of this book and then
instead of presenting us with a general and overall story covering all ’30 or
so’ of them, selects just eight and tells their stories in great detail. It
works well, and the different backgrounds, education, lives and careers of the
eight provide a variety which in effect represents all the Australians involved
in the Battle.
Alexander’s
research is to her usual high standards and the book tells the stories of the
eight from go to whoa, with as much emphasis on their lives away from the
cockpit as in it. It draws on family documents and records, interviews and
reminiscences and the result is a very different approach.
This isn’t
to say the operational side of things is ignored—it is also covered in detail
and there is considerable historical perspective, something I always like to
see. The eight stories are not dealt with in separate ‘blocks’ but instead intertwined
within a basically chronological structure. Again, this approach works very
well.
The eight
Australians covered are John Crossman, Jack Kennedy, Dick Glyde, Stuart Walch,
Ken Holland, Pat Hughes, Bill Millington and Des Sheen, the latter the only one
to survive.
I like the
different approach Kristen Alexander has taken with this book. Perhaps it
reflects—dare I say it without being shot down in flames by the ‘thought police’—more
of a woman’s perspective. If so, that can’t be a bad thing because the result
is excellent.
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